Fisher F2 Metal Detector

Fisher F2 Metal Detector
The Fisher F2 Metal Detector is a professional-quality detector for the entry-level hunter. Lightweight and all-purpose, the F2 makes it easy to get started coin shooting, relic hunting, and even searching on the beach.
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Coins of Alexander the Great Vol I

Coins of Alexander the Great Vol  I
COIN is usually a piece of hard material, usually metal or a metallic material, usually in the shape of a disc, and most often issued by a government. Coins are used as a form of money in transactions of various kinds, from the everyday circulation coins to the storage of vast amounts of bullion coins. Coins made for circulation (general monetized use) are usually used for lower-valued units, and banknotes for the higher values; also, in most money systems, the highest value coin is worth less than the lowest-value note.
The face value of circulation coins is usually higher than the gross value of the metal used in making them, but this is no longer generally the case with historical circulation coins made of precious metals.
Historically, a great number of coinage metals (including alloys) and other materials have been used practically, impractically (i.e., rarely), artistically, and experimentally in the production of coins for circulation, collection, and metal investment, where bullion coins often serve as more convenient stores of assured metal quantity and purity than other bullion.

ALEXANDER III, king of ancient Greek MACEDONIA, surnamed the Great, was born at Pella, in the autumn of B. C. 356. He was the son of Philip II. and Olympias, and he inherited much of the natural disposition of both of his parents – the cool forethought and practical wisdom of his father, and the ardent enthusiasm and ungovernable passions of his mother. His mother belonged to the royal house of Epeirus, and through her he traced his descent from the great hero Achilles. His early education was committed to Leonidas and Lysimachus, the former of whom was a relation of his mothers, and the latter an Acarnanian. Leonidas early accustomed him to endure toil and hardship, but Lysimachus recommended himself to his royal pupil by obsequious flattery. But Alexander was also placed under the care of Aristotle, who acquired an influence over his mind and character, which is manifest to the latest period of his life.

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E Pluribus Funk


‘Footstompin’ Music’ leads off & this album-their second Top Ten release of 1971-never lets up. 24-bit digitally remastered reissue with four previously unreleased live bonus tracks, ‘I’m Your Captain/Closer To Home’, ‘Hooked On Love’, ‘Get It Together’ (recorded in Dayton, OH 4/27/71) & ‘Mark Say’s Alright’ (recorded in Detroit, MI 4/29/71). Capitol.
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Columbian CO544 (#5-1/2) 3-1/8×5-1/2-Inch Coin Lightweight Brown Kraft Envelopes, 500 Count


Envelope is ideal for storing and transferring of coins, jewelry, stamps and other small objects, parts and materials. Features: Durable 24lb opaque brown kraft material provides privacy of contents. Wide seams and a deep, moisture activated gummed seal secures and protects contents. Sized: (#5-1/2) 3-1/8″ x 5-1/2″. Quantity = 500 envelopes.
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PICTURES OF BYZANTINE COINS


The History Leading up to Byzantine Coinage. The Byzantine Empire considered itself a continuation of the Roman Empire, differing only that it was Christian and used Greek in speech. Most elements of Byzantine coinage came from the Romans, with the exception that they used Latin for the inscriptions. Much of the coinage of the Roman Empire disappeared during the great currency inflation of the late 3rd century, and not much was produced during that time. A new system took shape during the reigns of Diocletian and Constantine the Great (284-305 and 306-337). This new system was based on the gold solidus and some other denominations of silver, billion (debased silver), and bronze. The names and denominations of most of these coins are not known with certainty. The Constantine coinage collapsed during the barbarian invasions in the early 5th century. By the time of Anastasius in 491, only the solidus, semissus (1/2 solidus) and tremissis (1/3 solidus), and a tiny copper coin called the nummus (1/7200 of solidus) had survived. In 498, Anastasius introduced a series of multiples of the nummus. The most important of these is the follis (worth 40 nummi). The follis was used extensively for the next 6 centuries and its creation is considered a good starting point for the history of Byzantine coinage. Periods of Byzantine Coinage There are roughly 4 different periods of Byzantine coinage. The first runs from 491 through the mid 8th century. It is characterized by 3 denominations of gold coins (solidus, semissis, and tremissis), 5 denominations of copper (follis, half-follis, decanummium, pentanummium and nummus) and one of silver from 615 on (hexagram). The second runs from the 8th to the late 11th century. At this time the monetary system was simplified to one coin of each metal: the gold nomisma, the silver miliaresion, and the copper follis. The third covers the monetary reform of Alexius I in 1092 to about the end of the 13th century. There were several denominations of debased metal called trachea that were concave instead of being flat. A base (or unpure) gold coin called the hyperion replaced the nomisma, an even baser gold coin (electrum trachy) replaced the tremissis and trachea were created in base silver and eventually copper. There were also two denominations of small copper coins (tetarteron). The fourth covers the 14th century to the fall of the Empire in 1453 and saw the complete disappearance of gold coins and a return to the use of pure silver coins (basilicon, stavraton and half-stavraton) Weights and values of byzantine coinage The system used to weigh and value coins was based on that of the Roman Empire and was used throughout Byzantium. The gold solidus was the basic unit of coinage and all other coins were valued in relationship to it. The solidus = 1/72 of a roman pound or 24 carats (a carat was the weight of a carob bean or ~200 milligrams) The miliresion = 1/12 of a solidus or 2 carats Copper coinage varied considerably 1 Solidus=2 Semissis=3 Tremissis=7200 Nummus=~180 to ~300 Folis (depending on the period)=12 Miliresion

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PICTURES OF BYZANTINE COINS


The History Leading up to Byzantine Coinage. The Byzantine Empire considered itself a continuation of the Roman Empire, differing only that it was Christian and used Greek in speech. Most elements of Byzantine coinage came from the Romans, with the exception that they used Latin for the inscriptions. Much of the coinage of the Roman Empire disappeared during the great currency inflation of the late 3rd century, and not much was produced during that time. A new system took shape during the reigns of Diocletian and Constantine the Great (284-305 and 306-337). This new system was based on the gold solidus and some other denominations of silver, billion (debased silver), and bronze. The names and denominations of most of these coins are not known with certainty. The Constantine coinage collapsed during the barbarian invasions in the early 5th century. By the time of Anastasius in 491, only the solidus, semissus (1/2 solidus) and tremissis (1/3 solidus), and a tiny copper coin called the nummus (1/7200 of solidus) had survived. In 498, Anastasius introduced a series of multiples of the nummus. The most important of these is the follis (worth 40 nummi). The follis was used extensively for the next 6 centuries and its creation is considered a good starting point for the history of Byzantine coinage. Periods of Byzantine Coinage There are roughly 4 different periods of Byzantine coinage. The first runs from 491 through the mid 8th century. It is characterized by 3 denominations of gold coins (solidus, semissis, and tremissis), 5 denominations of copper (follis, half-follis, decanummium, pentanummium and nummus) and one of silver from 615 on (hexagram). The second runs from the 8th to the late 11th century. At this time the monetary system was simplified to one coin of each metal: the gold nomisma, the silver miliaresion, and the copper follis. The third covers the monetary reform of Alexius I in 1092 to about the end of the 13th century. There were several denominations of debased metal called trachea that were concave instead of being flat. A base (or unpure) gold coin called the hyperion replaced the nomisma, an even baser gold coin (electrum trachy) replaced the tremissis and trachea were created in base silver and eventually copper. There were also two denominations of small copper coins (tetarteron). The fourth covers the 14th century to the fall of the Empire in 1453 and saw the complete disappearance of gold coins and a return to the use of pure silver coins (basilicon, stavraton and half-stavraton) Weights and values of byzantine coinage The system used to weigh and value coins was based on that of the Roman Empire and was used throughout Byzantium. The gold solidus was the basic unit of coinage and all other coins were valued in relationship to it. The solidus = 1/72 of a roman pound or 24 carats (a carat was the weight of a carob bean or ~200 milligrams) The miliresion = 1/12 of a solidus or 2 carats Copper coinage varied considerably 1 Solidus=2 Semissis=3 Tremissis=7200 Nummus=~180 to ~300 Folis (depending on the period)=12 Miliresion

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Gustaf’s Dutch Licorice, Double Salt, 7-Ounce Containers (Pack of 6)


Double Salt licorice is not for everybody, it takes an acquired taste to appreciate it. Yet many Europeans and people that have traveled Europe just love it! For “sweet licorice”, please try our Gustaf’s Soft Drops or Gustaf’s Cats. Traditional Dutch. Made in Holland.
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Dickies Men’s Fabric Trifold Wallet, Black, One Size


The perfect alternative to the leather trifold wallet.
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Toward An Anthropological Theory of Value: The False Coin of Our Own Dreams

This innovative book is the first comprehensive synthesis of economic, political, and cultural theories of value. David Graeber reexamines a century of anthropological thought about value and exchange, in large measure to find a way out of quandaries in current social theory, which have become critical at the present moment of ideological collapse in the face of Neoliberalism. Rooted in an engaged, dynamic realism, Graeber argues that projects of cultural comparison are in a sense necessarily revolutionary projects: He attempts to synthesize the best insights of Karl Marx and Marcel Mauss, arguing that these figures represent two extreme, but ultimately complementary, possibilities in the shape such a project might take. Graeber breathes new life into the classic anthropological texts on exchange, value, and economy. He rethinks the cases of Iroquois wampum, Pacific kula exchanges, and the Kwakiutl potlatch within the flow of world historical processes, and recasts value as a model of human meaning-making, which far exceeds rationalist/reductive economist paradigms.

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